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Post by Apillis on Sept 4, 2012 4:24:45 GMT -5
"The goal of life is to make your heartbeat match the beat of the universe, to match your nature with Nature." ~ Joseph Campbell
Name: Aeia
Race: Aphithiri (Free-Birth) (Custom-Race) (Mother)/Human (Kuati) (Father)
Age: 54
Birthplace: Kuat
Allegiance: Republic/Jedi Order
Status: High Council Member of the Jedi Order, Jedi Artisan, Jedi Instructor
Rank: Master - Jedi Instructor
Height: 5'10"
Weight: 137lbs.
Appearance: There is a certain... something... like an ethereal quality that one cannot give a proper labeling to. Though, some call it angelic pulchritude, nonetheless--there is something to that visage of hers. Her almost snow white complexioned smooth skin inherited from her mother is contrasted against her long silky raven black hair that hangs down to the middle of her back, and narrow midnight blue eyes--the hue of her eyes she also shares with her mother; though her dark hair--that she got from her father. She has a round face though with an angular jawline and sharp chin, not all that unlike many humans of Kuati descent. Albeit, because of her Aphithiri heritage from her mother--by the sight of Aeia, without knowing she was half-Aphithiri, one would never suspect she is over a half-century old.
Certainly a statuesque figure as she stands an easy five foot ten inches tall, it is far more than likely she inherited her height from her father's side of the family as her mother and her family were all well over six foot tall. By the sight of her, she seems to be on the slim side of the spectrum as she wears her flowing Jedi robes. Though, under those silken red robes she maybe lean but her muscle definition is impressive--a build of a woman who focused much on maintaining a fit and tone physique for endurance and agile reflexes. The evidence of her training is not only shown by her physique, but also the copious amount of callouses of her long, narrow-fingered hands.
The robes she wears have a somewhat Kuati style to them, and worn in two layers of dark crimson silken material, the length of which reaches down to her knees. Her Jedi utility belt fastened snugly around her slender waist outside of her robes, over the white sash she uses to keep the robes closed; and her lightsaber hilt clipped to her belt. Also wearing a loose fit pants of the same dark crimson hue, and the cuffs of the pant legs tucked into her simple pair of black boots that one might see any other Jedi wear. A simple pair of black gloves she, of course, wears on her hands. Albeit, the robes themselves that are in a way, the center piece of her outfit, have very elaborate gold embroidery of a phoenix-esque bird along the sleeves, black and front of the robes. In the rare occasion a large battle is to take place, she has custom made archaic style Jedi armor she wears that matches her robes. The pieces of armor she made herself, which consists of pauldrons, a chest piece, and bracers. The are each a light armor-weave fiber mesh. The ornate make of the armor in a way is a testament to her skill as a Jedi Artisan, other than the unique creation of her lightsaber (among other things).
Personality: If any word were to serve as the permamount label for Aeia's personality it would be, "empathy". Her great empathy enables her to feel, even sympathize with others on profound levels. But it must be understood, empathy should never be confused with sympathy. She will always empathize, she will lend compassion--and thus by proxy have sympathy for others, no matter their atrocities and crimes... even with the most heinous of Sith Lords. When that compassion is refused, she will continue offer it, but when not taken that only leaves her with empathy to act upon. To which that leads to her deconstruction of what is before her. Tear them down to their foundation to reflect upon what composes them, what they had, what they could have been... what they have been left with.
But it cannot--not ever be understated just how much kindness she is willing to offer--willing to give, and will freely display. However, something more to be understood about her--she is a warrior, and there is only so much one can push or dismiss about a warrior no matter how gentle they may be at first. For life to persist, sometimes death will befall another--something that Aeia has learned in time to its deepest significance as she discovered her place within the great macrocosm, that life and death are simply two ends of the same thread. A simple realization, yet profound in its way, especially when applied to other contexts. Such as, to protect life, to preserve it--what is causing destruction must cease, one way or another. Once again, a simplistic understanding and rationale, yet when applied to other contexts--say to even the measure of empathy and sympathy that is afforded to another. The implications and relations to others can take on an entirely different connotation.
Life and death, time, and ones own place in relation to them--they do not necessarily mean the same things as they do to perhaps most others, maybe even among the Jedi themselves. Partly because of her Aphithiri heritage and her longevity because of it, but it is also largely because she has awakened in a sense to what she feels and knows her role to be within the Force, an understanding of the self. For example, she has little memory of her father, yet she is perfectly aware she has likely long out lived him by now. Many may believe within their varying religious views, even the Jedi, that he has finally entered an eternal existence since his death by at last joining the Force. But, what she understands and knows is, he was always a part of the Force--all life is part of the Force, eternity does not start when one dies, because it has always been there, eternity has no beginning nor end--that is what makes it eternal. Thus, as what Aeia knows with the Force, her father and all who have died, in life they were already a part of eternity for it is already here as part of life, death is simply another beginning within eternity, another avenue in which to experience it.
Her piety in the Force and all that she does is not measured by faith. But rather as she would put it, she does not need faith, she has experience...
Yet, despite whatever insights and understandings one may have achieved, gained, or awoken to. No being is perfect, no being exists without their own hubris. While Aeia's empathy makes her voice strong for compassion, as mentioned--when refused, the sympathy within that compassion becomes removed, and all she has is her empathy. Empathy is not sympathy, it is the ability to place oneself into the shoes of another, see through their eyes. But what one does with this perspective is entirely up to them. Coupled with her sense of empathy, her sense of justice and righteousness are nearly just as powerful. That which betrays her moral senses is only ever met with a firm hand, how tempered it maybe varies on circumstance. However, there is an edge to the sharpness of her tongue when she speaks, and the action in which she may take that leave some taken aback. It is true, she is normally gentle, and will earnestly give as much kindness as she can lend to a person. However, whether it be an individual or nature itself, the extended hand of opportunity and generosity is stretched out only for so long, and when dismissed there is only nature's severity left; and Aeia reflects that strongly.
Destructive imbalance must only ever be met with deconstruction itself in order to reforge a broken and ruined foundation.
But it is that strong sense of justice and righteousness that creates the hubris she has fallen victim to in the past. A hubris she acknowledges, a hubris she takes measures to correct. But a hubris, like the dark side, is always there within us. It can be guarded against, it can be quelled, but never completely removed. It will always be there waiting for an unguarded moment. Despite whatever Aeia may have achieved, that reality with ones hubris stands for her as it does anyone else.
Ships/Vehicles:
Equipment:
Lightsaber- Somewhat macabre in its appearance, yet some consider it one of her "master" works as a Jedi Artisan despite being made before her becoming one. It was made from the lower spinal column of a vornskr she killed when she was a padawan. She hollowed out the various sections of its spine to house the various mechanics that composes a lightsaber, and smoothed and rounded it out for a more comfortable grip, even the ridges of its spine were smoothed down to be comfortable grip for her fingers, including one of those ridges serving as the the lightsaber's switch. Glass crystal was then molded over it perfectly to its unique form. But one section of the spine is missing from the hilt, and that being the section second from the top of the hilt where her lightsaber focusing crystal is located. Set with the mechanisms of the lightsaber's construction to forge the beam, though in her lightsaber's case the apparati holding the crystal are heavily reinforced to hold it in place. Reason being in that section the glass is hollowed out for a few small channeling mechanisms within the hilt enabling the plasma energy to swirl and radiate just a little around the crystal itself. It does nothing special for the lightsaber outside of giving a visual effect do to being able to see this energy through the glass, which to many among those that have seen it say it looks like a tiny burning sun within Aeia's lightsaber hilt when the blade is switched on. Otherwise it looks like an ordinary yellowish orange crystal set within a lightsaber giving its beam its signature sun-like hue. The effect does generate light, but not enough to be blinding as it is less bright than the beam itself, do to the light energy coming from it being unfocused and has a slightly more raw appearance with tiny, small rays of light like tiny, miniature sunbeams.
Stats:
Strength - Above Average
Agility - Superior
Intelligence - Above Average
Charisma - Average
Force Stats:
Telekinetic- Apprentice
Telepathic- Apprentice
Body- Expert
Sense- Adept
Protection- Master
Healing– Adept
Destruction– Unskilled
Combat Training:
Mixed Martial Arts (various hand to hand styles) - Expert
Force Training:
Force Valor - Adept
Ray - Expert
Tutaminis (Force Absorb) - Master
Enlightenment - Master
Other Training:
Artisan Lightsaber Construction - Master
Piloting - Apprentice
Galactic Lore - Expert
Force Lore - Master
Military History - Adept
Artisan Holocron Construction - Adept
Mechanics - Adept
Lightsaber Training:
Shii-Cho- Expert
Makashi- Untrained
Soresu- Specialist
Ataru- Untrained
Djem So- Adept
Niman- Untrained
Juyo- Untrained
Double Bladed Combat- Untrained
Bio:
"I have just three things to teach: simplicity, patience, compassion. These three are your greatest treasures." ~ Laozi
Simplicity has its comfort. Those who have it are aware of it, and many often cling to it jealousy. As it is a guileless life, what can be seen is the genuine essence of what it is. When elements that complicate a provincial life like that, those who possess it retreat to them further. Or burn for some place to escape to where a simple life can be found free of complicated burdens.
Kharda Telai was little more than peasant within Aphithiri society. Free-born as she was, just as her entire family was, there was no hope for advancement within Aphithiri feudal society. In truth, they were okay with that, but the oppression they suffered for it was something they hated, but under the tyranny of the Aphithiri monarchy there was not really much they could do about it. After all, they were simple farmers working the fields owned by Aphithiri nobles, who took the produce that Kharda and her family drudged hours in the fields to get, only to see an iota of it themselves.
Albeit, it was not much different for the neighbor boy, Saoli Fu, and his family that Kharda new for much of her life, going back to when the Fu family first arrived upon Aphithir. They wanted to work the fields desperate for work, though unfortunately were quite ignorant to what they were getting into by choosing a life on Aphithir. They were simply tossed amongst the rest of the peasantry, and got their wish of working the fields as farmers, but it was not the life they expected. There was no bliss in their ignorance, and hope was bled away from them as they found themselves without the money to leave Aphithir, stuck there to suffer under a brutal despot society.
The only true bright spot Kharda and Saoli could find was with one another. Starting out as childhood friends when either were still only knee high. But, as they grew up together, and got older--friendship blossomed into something more--an attraction... young love... first love.
Those who knew the pair wonder what Kharda saw in Saoli, as he was an average looking man. But despite his average looks, he did have quite a boyish charm to him. Albeit, for Saoli, it was far more simple at first--those Aphithiri women, were all quite gorgeous Amazonian beauties in his eyes, the man had a thing for tall women. So Kharda's lovely visage combined with her six foot two inch stature to put it mildly was quite appealing to him, and her willful, upright manner that he grew up with, he simply adored.
The plebeian boyish charm of Saoli and the strong, dignified grace of Kharda, the desirable qualities they possessed were too strong for the other to deny. Both during their trysts in the late hours would speak to their lover of their dreams and wishes to be away from the oppressive feudal monarchy of Aphithir. Yet, they were just dreams and fantasies of two young loves they would always later dismiss. Until one night, Saoli to Kharda's surprise gained a determination and will she had yet to see in the young man, who was usually so easy-going. He suggested they elope, he had other family in Kuat they could stay with until they got their own place, and there they could be protected by Republic law, they would not suffer under the Aphithiri yoke again. A naive thought from the young man, perhaps, but both were in love and both were desperate to share a simple yet better life together. And so, they acted on that dream, eloping to Kuat...
It was always a dower subject, for they mostly lost contact with their respective families on Aphithir. There was a strain on the relationship, more so whenever the topic came up, out of guilt and regret for leaving their immediate families behind. But nevertheless, their love for one another kept them together over the years, eventually gaining their own farm hold. And whatever troubles and strain their marriage begun to have were being mended by the conception of a baby girl within Kharda's womb. That baby girl being, of course, Aeia Fu.
Upon Kuat, it was the sought after provincial life living as simple farmers they wanted, free of vile oppression and tyranny. Though, the sight of Kuat's own aristocracy was a constant reminder of the equally harsh, yet far more brutal Aphithiri monarchy. Still, Kharda rejoiced being away from it all--away from the constant dominating noble houses and status holders. The life she had on Kuat with Saoli, she felt far more at peace. Despite being a mere commoner in Kuat society, it was vastly better than being a peasant underfoot in Aphithiri society. And with a daughter on the way, it only reinforced those thoughts.
Yet... to learn her daughter was Force-Sensitive, that stunned Kharda to her core. For the Aphithiri, Force-Sensitivity is especially rare and uncommon. It was a mystery whether it was an exceptionally rare occurrence coming from Kharda's line, or maybe it came from Saoli's side of the family. Kharda was not entirely certain. But, though some wonder if it was a small lingering respect Kharda held for her Aphithiri culture, but the reality being it was out of mockery, that she named her daughter Aeia, the feminine form of Aerys. To give her free-born half-breed daughter that name, symbolically uplifting her to the same level as the most Force-Sensitive royal line--the head of which even regarded as a "god" in Aphithiri culture, through that name is quite the spit in the face by Kharda.
Albeit, the larger surprise being after when Aeia's blood was tested as an infant, it was determined she could be taken in by the Jedi given how high her midichlorian count proved to be. For that is even more rare a thing, Kharda and Saoli were understandably surprised by it. Regardless of the life they escaped from on Aphithir, for a decade by that time, they had been simple farmers working vegetable crops, and enjoyed that salt of the earth life. Yet, once again something... larger... than themselves came into their lives.
It was only a few days later the Jedi arrived at their little farm hold. Kharda came from a society that valued martial ability and power above most all else, and within that society those of the warrior castes possessed easier lives. That was what Kharda saw the Jedi as, she had no real perspective of them outside of renowned Force-Sensitive warriors. Saoli was conflicted, he did not want to give up his first born child--and really, what parent does? But he did not want to deprive his daughter of a great opportunity before her to do good works within the galaxy, something noble--something more than he ever was or could be.
The talks were on going amongst the family--in fact, it was not until Aeia was four years old a decision was finally reached. What broke the indecision was Kharda, her daughter could be a great warrior--as she understood things, she felt what her daughter could be would be wasted on a farm. A provincial life is what Kharda wanted for herself, and should her daughter ever want it, the Jedi assured that Aeia could come back to it if she ever chose to. But Kharda could not deny her only daughter this extraordinary opportunity. And so with tearful heartbroken goodbyes... Aeia was taken away to the Jedi Temple of Coruscant where her training to be Jedi begun...
In her early life, Aeia was a very quiet girl. It was less out of shyness as simply more out of being a contained child, she was not really outgoing. She liked quiet, she enjoyed tinkering with puzzles or making little constructions. Any form of learning through mental stimuli that could be created with the child's own hands, that is what tended to draw the girl most of all. She did not care for being idle, but nor did she care for simply not being idle. She want to think and do, even as a little child she liked to be challenged mentally.
It was a time when the Republic was yet again trying to recover from upheaval caused by a Mandalorian threat. Aeia was just approaching the age of five years old by its end. But a Jedi Knight seeking to mend her broken heart from that war would eventually became Aeia's Jedi master. The Jedi Knight in question was Xica, one of seven Jedi Knight companions who went off to fight the Mandalorians, not just on the front lines, but on the Mandalorians own worlds--their own soil.
The Epicanthix veteran Jedi Knight always appeared to Aeia since they day she met her as a woman desperate for hope. Whatever she saw, whatever she felt, whatever she experienced in that war, those who knew her, knew her to be full of life and optimism for a better future. But Aeia could see, even at the age of nine when Xica for whatever her reasons chose Aeia to be her padawan-learner--that hope was once there in the woman but had been bled away. It was the same for many of the Jedi who fought in the front lines of war. Aeia did not understand it when she was little, she was too young, but even as a child--she could see the something was different about them. Again, she did not understand then, it was too large an issue for a little child. But with time, as she grew up and could look back--it was clear to Aeia the war wounded them--not just physically, but internally, a piece--or even pieces of their heart had been torn away, their spirit had been maimed.
There were times--just a small trice or little moments where she would catch Xica staring off into nothing with a blank face with deadened, sorrowful eyes. But always Xica would snap out of it to Aeia's presence, and offer a warm, gentle smile. Though Aeia could always see in those dark, coal hued eyes of Xica... that sorrow did not wash away, despite Xica's bright smile. As Aeia grew up she begun to understand why Xica sought a padawan, she was looking for an avenue to restore the hope that was once known to fill those onyx hued eyes of Xica. When Aeia was ten, she asked Xica why she just chose her to be her padawan out of the blue, and Xica's answer was because Aeia was the quietest one out of the little youngling clans she saw. The quietest children are often the most patient, and the most patient children are always the most willing to learn. When a teacher teaches, the job is best accomplished with a student who is quiet and actively listening. And that is what she saw in Aeia--a student ready to learn, more than the others she saw. It was that simple.
Throughout Xica's teachings to Aeia, she continuously impressed upon her three fundamentals in which to live by as a Jedi in all things and all decisions: simplicity, patience, and compassion. If the situation is complicated make it simple, if the answer is overly elaborate--there is always a way to simplify it. Nothing should ever be so immediate that one cannot take a moment to think, even for a second about the best possible solution, but it is only possible through patience. And compassion... compassion often said is the hardest lesson of all for Jedi to learn, despite it being the first lesson they are taught. Xica seldom spoke of war to Aeia, but when she did, it often had to deal with compassion; and that was, in warfare compassion is needed most--for what a hollow existence it is to look upon a slain enemy and only see them as just another dead foe.
Aeia recalled overhearing the debates Xica had with some of her peers who also went to war, trying to justify their deeds and what happened in the conflict with the Mandalorians. In her own master she saw regret, and the melancholy that accompanies it. But some tried to rationalize the violence. Her master always said that if one detaches themselves from the suffering of others, they have sacrificed their humanity, but in response Xica would be told war is without humanity, which is why Xica would say--it is for that reason humanity needs to be brought back into it. Aeia did not know what Xica may have experienced in the war, but whatever it was--it shook her, it broke her.
But there always seemed to be some other crisis, something about a dear friend of Xica that she would appear to get in heated debates and arguments with an old Jedi master at the temple. From what Aeia could tell, Xica always seemed to advocate leaving the situation alone, for she felt inserting oneself into the situation will only bring about more pain, but she could never articulate why. But the old Jedi master ignored her requests, and eventually he went off, never to be seen again. Albeit, by Xica's idle moments and lingerings where she and the old Jedi used to converse with one another, Aeia understood why.
But it was not all pensive despondency. As they interacted with one another as master and apprentice, a bond was forming between them. Through it, yes, Aeia could feel the pain within her master--her sorrow, her regret, even heartbreak. Yet... she could feel joy, hope... she felt it strongest in Xica when they were together. And that was how Aeia learned that while Xica sought a student to teach to lend a hand in furthering a new generation into the Jedi Order, she was also looking for something to renew hope--renew that light that had dimmed in her heart; and Aeia was providing that for her. It was a profound thing for--what was--a teenage girl by that point, to realize. That as much as Aeia needed Xica to be there for her to guide her and teach her--even raise her, it begun to dawn on her that Xica needed Aeia too--to heal a broken heart and become whole once again.
Aeia never pressed on Xica to tell her what happened in those battles during the war. She had heard some things, she learned the six other companions of Xica's, only one survived--that being the one who lead them, and they had fallen to the dark side. Aeia felt that if Xica wanted or simply when she was ready to, she would tell her what transpired, otherwise she respected what she knew to be Xica's desire to keep those experiences to herself.
Instead the two more often than not focused on a philosophy of understanding, and often became the modus operandi Xica utilized to teach Aeia. A perspective wrought from observation, taking the time to find a clarity in ones surroundings to understand it in order to become part of it. Little did Aeia know as a fourteen year old girl when first receiving those lessons they would have a far broader and significant impact on her life in later years.
Xica took a quick notice to Aeia's tendency to tinker with things as a little girl, and that never did change even as she grew up. In Xica's mind it was the perfect avenue in which to teach her, her philosophy of understanding, to gain clarity for what is before- and around her. It was a bit of an intellectual pursuit on Xica's part, for given Aeia's tendency to want to solve puzzles or create, Xica thought to teach via methods Jedi Artisans teach their students. So, Xica took the initiative to research and learn how Jedi Artisans train their students, often turning to Jedi Artisans she knew for advice and counsel.
It started out with simple artwork. Taking bits and pieces of varying items of near anything from driftwood and sea-shells to broken droid parts and tools. Crafting them to shape images and structures of small statues of people or models of buildings or even small scale landscapes. And where the philosophical teachings she sought to instill upon Aeia was by seeing what was before her, and looking upon bits and pieces of varying items that were never meant to pieced together, yet still can be forged so long as one looks upon what is before them with a clear mind gaining the insight that anything can be interwoven together into a harmonious creation. It works creating artwork, it works with people, for it is an aspect of life that all these seemingly randomized existences all so different from one another--separated not just by worlds but even solar systems at complete opposite ends of the galaxy, and yet--a symbiosis can still be found between them so long as the earnest insight is there to seek to make it work.
Everything held some sort of philosophical significance in Aeia's training that Xica orchestrated and devised to give it not just purpose but meaning. Back when Xica decided to take Aeia's training beyond the basics, and more into the intermediate to begin truly honing a methodology and personalized style to Aeia's martial ability, she inquired to the girl what it was she wanted to do as a Jedi. The answer was simple, and held a naivete though genuine desire in it, which was she wished to protect the innocent, do justice for the downtrodden, be the protective wall that shields them from harm. Naive but it made Xica smile, but Xica knew just how to train the girl in that moment, and she told Aeia, "I will make you into that wall."
That was when Xica begun training the young girl in her philosophy of acceptance. It essentially boiled down to negation through acceptance--taking on the burden of pain, hate, sorrow, mourning, agony, and merely accepting them for they are and letting it all disperse. This philosophy served well for learning the Jedi arts within the fields of control and/or protection. Using the Force to not push against destruction, but rather to withstand it and absorb it.
Everything is energy, even emotion is energy, one can feel it--even physically--especially through the Force. It was a fundamental teaching of Xica, when one comes at her with rage and hate--not to resist it. Constantly fighting the dark side, meeting it with aggression, only ever serves to strengthen it. But it can be quashed, negated--by merely letting it smother itself against the wall of the Force one forges both within themselves and outside of themselves. She taught Aeia that the more the darkness presses against the light one generates within themselves they can stave back the void.
The darkness is patient, and it always wins. It is everywhere--in everything. Even stepping out into the sunlight with the warmth beaming upon ones face, their dark shadow is cast behind them. Yet, that is not to be despaired, for that is what it seeks to do--overwhelm, and obscure--cloud hope with doubt. While the brighter the light, the darker the shadow it can cast, but so long as that light shines bright the darkness is held back. and the more the darkness presses against it, so long as that light remains true--remains strong, the darkness smothers and evaporates itself within the light's shining brilliance.
That was not a simple philosophical teaching for a Jedi's struggle with the dark side as they walk the path of the light and how to maintain it. It was more than that, it was also a foundation of how to utilize techniques such as Ray and Tutaminis, utilizing the Jedi arts in drawing in and manipulating Force energy to bolster ones defenses or even create barriers and fields of energy. In Xica's view these were the arts that embodied most on a martial and philosophical level of what the Jedi Order stood for in anything it did. For the purpose of these techniques and the very Jedi arts they are connected to encompasses protection, and the techniques themselves favored a being whose mind was clear and their heart shining with inner-light. These were lessons that Aeia carried with her all her life, and became the very core of her own views on most anything from Jedi Order and the Force to one's own day to day to even warfare. The frame of mind and the philosophy behind them could be related to most anything in life in both of their views. It was a driving force behind Aeia, and in time would become where she was at her most powerful within the Force, where she felt most in sync with it.
Even the two lightsaber forms outside of the most basic that Xica taught, were both defensive forms--Soresu and Djem So. A blend of Soresu's philosophy of trapping one within their offensive, and Djem So's view for every blocked attack for there to be a counter to it. Both on their own are impractical, situations in combat do not always pan themselves out for every blocked or parried attack to be countered; but the method of Soresu can needlessly draw out a conflict. Interwoven together they compliment the defensive fighter well, drawing in an opponent to continue to engage--attempting to lure them into burning themselves out within an impenetrable defense, yet able to deliver counter-strikes within that stalwart defense. Neither style being beholden to another, granting Aeia much flexibility within her personalized blended style of the two forms. Though, it would still take her years to master them.
Albeit, even in Aeia's early years, Xica could see that Aeia was a little more lenient to manipulating the Force than she herself. Xica was more the lightsaber duelist, and it reflected much in the methods of the Force she taught Aeia to wield. Harnessing the power of the Force and ones own inner-light to enhance their physical prowess, such as within the Jedi's Art of Movement taught to any student within the Jedi arts, but once again, also to manipulate energy for the purpose of forging powerful defenses against--in a way--the very elements of what can bring destruction and harm. But regarding that Aeia was not quite as much the lightsaber duelist that Xica was, she went about having Aeia study the Jedi healing arts, which she showed some aptitude for.
But the primary teachings by Xica to Aeia being bolstering and summoning ones defenses via energy manipulation through the Force, mainly by utilizing techniques as mentioned before, Ray and Tutaminis. However, in symbiosis with those teachings were the Jedi arts for mastering ones own body through the Force in order to achieve feats far beyond what can ordinarily be done, and while this was typically a practice by lightsaber duelists, even for one such as Aeia, Xica only saw benefits for setting her on the path to master those Jedi arts. Yet, she taught Aeia the two forms Soresu and Djem So aside from the fundamental lightsaber form, largely because it suited the girl. But, understanding that Aeia had a bit more of a leniency to utilizing the Force than the blade, rather than go into teaching Xica's other lightsaber form, Ataru, she chose to supplement it instead by having Aeia (as mentioned earlier) study the Jedi healing arts. But these teachings and methods of martial ability and wielding the Force all need a clear and patient mind, none are something one can merely plow ever forward with. And this is what has largely shaped Aeia as a Jedi.
Albeit, Xica was also a firm believer in learning unarmed combat. But she never did stick to teaching Aeia one style, she taught the girl her own unnamed mixed martial arts form taken from a plethora of varying unarmed combat styles. Xica was never one who cared for styles in of themselves. Sticking to a single style in her mind was divisional. Dismissing dogmatically sticking to a singular style as dividing oneself from others out there. So, her own unarmed combat style took bits and pieces of styles from other martial arts styles she had learned and studied and incorporated into her own that suited her. But it also functioned well for Aeia, as the two were about the same size as one another, Xica had always been on the small side for an Epicanthix. Aeia, a diligent girl always adhered to her master's words, and in truth she did enjoy the concentration and focus behind the training unarmed combat. Even the ideal to the practicality to it she liked, seeing that only fool trusts their life with a weapon, and if a Jedi is hopelessly reliant solely to the Force they are hindering themselves severely.
All of that is what encompassed Xica's training Aeia, laying the groundwork for Aeia to build herself up upon. All of it was set Aeia up for greater challenges, Xica in fact did not even take up her former duties as a Jedi Peacekeeper until Aeia was in her upper-teens. She first wanted to focus entirely on training her padawan, which with the amount of time they spent together training with one another in those years developed a deep bond between them. It felt strong, deeper than family even. No words were needed, some times merely a glance, then again often times not even that. It was a bond of complete understanding, knowing just how the other felt and thought. There was only honesty between the two, it was as if deception--the cloud of the dark side dissipated between the light that shined between the two of them.
It was Force-bond of love that forged between them. Nothing carnal based, it was pure and genuine with an innocence untainted by desire. Aeia's guileless silent determination and earnest desire to be taught lead Xica to adore the girl. In turn, Xica was a big sister figure in Aeia's eyes, but more than that the warmth and beatitude she felt in Xica's presence soothed her, and the comfort she received from Xica often helped Aeia to keep a calm disposition. The two complimented one another, and in a way, needed each other. For while Aeia was able to find her center and serenity by being in Xica's presence, it was only because in turn through her sisterly relationship with Aeia that the pain and emptiness caused by a war-ravaged past was being mended and was able to find fulfillment.
It was not until that point was reached in their relationship and in Aeia's training, that Xica felt at ease with the thought of bringing the girl with her to do the duty expected of a Jedi Peacekeeper. It was during her time with Xica performing the duties of a Jedi Peacekeeper aiding law enforcement in quelling violence and protecting the citizens so they could go about their lives without fear of oppression from criminal elements--that Aeia begun to develop a strong sense of social justice and moral righteousness.
Empathizing with others and showing compassion came easy to the girl, especially under Xica's tutelage. But truly acting upon it outside of the temple, helping the downtrodden and those victimized by the self-problaimed 'strong', that was when she begun to feel justice needed to be done. It was an outrage to see people victimize their fellow man. What bothered Aeia most was because with her immense empathy, she could see why the so-called 'strong' would bring harm to the perceived 'weak', but the 'strong' never could see what she saw in them--whether it be denial or simply being blind to themselves--and that is what confused Aeia most of all. Much of her life and training as a Jedi under Xica has been utterly surrounded around being thoughtful, self-reflection, and clarity of mind; and to see those willfully, blindly, or stupidly deny themselves a second of introspection--that she just did not understand despite knowing why. She knew the why was they allowed themselves to be ruled by fear and so that is how they chose to rule others, but what confused her was the allowance of their continued victimization of themselves by not seeing it and seeing what it is doing to themselves.
It was humbling for her to see those weakened by the environment they lived in, simply because they lacked the means to go elsewhere. It gave her purpose and fulfillment to fight for and protect those who did not have the means to fight and protect themselves. And the fact the criminals and scum who preyed on them lacked the humility and good conscience, spoke to Aeia's own moral sense of righteousness that she needed to stop them. Even as a padawan, though by that point in her life she was an experienced padawan, but nevertheless still as a padawan--she was motivated by the drive and the need that there are those who need to be fought for.
Even her lightsaber was constructed during a time of fighting for people ruled by fear. A devaronian crime lord's operations within the slums of Coruscant's lower districts. It was an interesting construction, not for how it was built in of itself, but for other reasons. One being Aeia was twenty years old when she constructed her first lightsaber. Most padawans tend to at least be in their upper-teens when they construct their first lightsaber, but Aeia felt she simply was not ready. Xica thought it a bit strange, though she did not push Aeia, because she did not sense Aeia's choosing not to build one was out of hesitation, but rather a genuine feeling of just not being ready to construct a lightsaber. It first became an issue when Xica took Aeia to the crystal caverns of Dantooine when the girl was sixteen years old, and there Aeia did find a peculiar orange-yellow crystal she felt drawn to, but when she found it--at the same time she felt it just was not her time to build a lightsaber.
The crime lord they were after was hold up within his 'palace' there within the slums. He and his men were cornered with no hope of escape. Albeit as dug in as they were, while they could not escape it was difficult for Republic law enforcement to go in after them, even with the aid of Xica and Aeia. The first attempt at infiltrating the compound proved disastrous. The Republic law enforcement sent in a strike team taking advantage of an underground maintenance shaft, and with the strike team was Xica and Aeia. But it was all a trap as the entire maintenance shaft was blown by explosives. The crime lord then sent in his numerous vornskr hounds he used in his illegal dog fights, after whoever remain alive within the blown out maintenance shaft. Xica and Aeia were separated by the explosions, and in all the chaos and destruction, Aeia lost the lightsaber she was lent to by Xica for when on missions like the one they were on in that moment.
Two of the vornskrs chased after a wounded Aeia cut up by shrapnel debris from the explosions they were set off. She had no idea where Xica was, only able to sense that her master was alive and well through the Force-bond the two shared with one another. All Aeia could really do is run, she had no weapon to fight them, and wounded as she was she did not want to fight the beasts unarmed. Running through the maintenance shaft tunnels with the two vornskrs nipping at her heels, eventually she reached an exit, which that exit led straight into small weapons cache that had largely been damage by the explosions. The devaronian crime lord figured it was worth sacrificing to prevent the Republic law enforcement strike team from infiltrating his compound.
But it was there on the floor she saw a damaged polearm as she ran inside. Aeia was not looking for style points or technique, merely survival in that moment as she scooped up the polearm in both hands. With weapon in hand she spun around swinging the bottom end of the polearm at the lead vornskr of the pair, just as it lunged at her. The butt of the polearm smacked across the beast's head cracking its skull wide open, the creature flopped to the ground with a lifeless tumble. But the other came right for her, but she was already mid-swing with the blade of the polearm, and scarcely managed to strike its neck it. It yelped with a crash and roll upon the floor of the weapon storage cache. Before the beast could get back up, Aeia quickly stabbed the creature in its side ultimately killing the abused, bloodthirsty hound. It was only the Force that saw her through that engagement, she has never really used such weapons much in her life. The only reason why she was able to strike them down with her broad, reckless swings of a polearm was because her reaction time due to the Force is far quicker than theirs, and that is all there was to it.
After killing the vornskrs, she dropped the polearm. She needed a proper weapon that she use with more competency, and not be left with relying on solely her quick reflexes via the Force. But the only weapon she has had any real training with was a lightsaber. And it was in that moment, she felt it was time to construct her lightsaber. It was not of a want or desire, but it was out of recognizing a need for it in that moment.
Within the weapon cache, she had plenty of materials to work with. But why she chose to use part of the spine of a vornskr as the hilt one is left to wonder. A lightsaber is a reflection of the Jedi who built it, and using the spiral cord of a vornskr is a bit extreme. Then again many weapons are made from bone, and/or have bone hilts or grips. Though it is usually done as a status or decorative style. And the latter is what Aeia typically tells a person when asked. Artistic Jedi constructions after all is a hobby of hers, and when becoming a Jedi Knight, she did seriously consider becoming a Jedi Artisan in those days.
However, the reality is a bit more macabre mixed with good intentions. Aeia saw the beasts for what they were, tormented creatures abused into being far more violent than their nature originally made them, and then used for a twisted little man's entertainment. In her mind, she though by making her lightsaber out of one the creatures, she could turn what was a simple creature used for heinous acts who in the end met an untimely, violent death--into something for good. Part of it being her lightsaber, it will always be at her side fighting for a just cause, protecting innocent lives, and in this moment used to stop a revolting crime lord.
The lightsaber crystal she got from the caverns of Dantooine, Aeia always kept with her. She never parted with it, during idle moments she focus channeling the Force through it, meditating on it. She did this ever since she obtained it as a sixteen year old, thus for four years she has spent meditating on the crystal, channeling the Force--her very presence even through that crystal. It was as a part of her in a way, she could feel as much of her presence within that crystal than she could focusing solely upon her own aura.
Much of the cache was ruined by the explosions, including the work bench. But there were still plenty of materials she could scrounge up and use to construct the lightsaber precisely she envisioned it. Using simple water and fine sandpaper to clean and shape the bones just as she wanted them. Even the glass to shape around the bone hilt as she intricately constructed each section of the lightsaber within each section of spine. The glass she cleverly reduced to a film, and shaped it over the hilt as a type of mold covering entirely to the hilt itself.
Despite the few hours it took her to construct such a lightsaber, the battle between the crime lord and his men versus the Republic law enforcement still waged onward. The construction of her lightsaber though was a good for her as well, it was a calming process where she could her divert her attention and focus on something less stressful. Aeia took advantage of it, a moment to rest and recover before rejoining the fray. When he lightsaber was finished, there was no hesitation in her running off to rejoin the Republic forces. She followed the tunnels, while the strike team may be decimated by the crime lord's trap, she remained standing and thus could continue the mission.
Backtracking her way through the tunnels, she made her way back to the gutted tunnels of the maintenance shaft where everything was disrupted. Yet standing amongst all the destruction with several dead vornskr laying about the rubble, each struck down by a lightsaber, stood Xica with a serene, warm smile greeting the girl without any words. The dead and wound strike force members they went into the maintenance shaft were being tended to by medics sent with a reinforcement detachment. But upon reuniting, the master and padawan went on ahead of the rest.
The vile crime lord in the end was defeated by the pair of Jedi who infiltrated his compound. Aeia provided cover for Xica who took point to go after the crime lord himself, who in the end was struck down by Xica's blade as he refused to surrender and only kept fighting. With his death and several of his henchmen having been struck down by both Xica and Aeia, or even having been gunned down by law enforcement, those who remained by that point finally did surrender.
The entire affair was a trying ordeal for all those involved, Aeia was no different. It was that battle where she found herself placed into a position where she had to take a life not just for her own protection but others, the pair of vornskrs excluded. Simple-minded henchmen--criminals in truth, they were paid to commit crimes in the devaronian's name. Despite Xica's attempts to comfort Aeia in that she did nothing wrong in taking those men's lives, for if she had not--they would have taken hers or one of the politce officers' without a care in the world, perhaps they would have even celebrated it. Nevertheless, questioning whether it was right to take a life, any life--even in self-defense has been a moral quandary Aeia has had within herself all her life. She recognizes it happens, she recognizes it is not evil--or at least not inherently so, but the question remains, is that the only answer? If not, then why should the inquiry into what are other alternatives be so easily dismissed? Despite never coming to a conclusion, and understanding that the answers are circumstantial to the situation--she felt so long as she still needed to question it to be a good thing, and Xica agreed with her.
The reason why Xica agreed with Aeia fell back to her often teaching Aeia if one is doing something, but has to caution themselves about the dark side--then they should not be doing it in the first place. If all one's actions makes them fear or concern for fall to the dark side, or the dark side corrupting them in some way, then everything about what they are doing is wrong and they should reassess. The reason why is because if one is worried about falling to the dark side by the actions they take, or even if the dark side is what is preventing them from taking a course of action, then they are living an existence of attrition. If fear of damnation is all that is preventing one from immorality or striking another down, then they are simply not doing it because they are afraid--in other words, fear is compelling them not to act. And in fear, lies the dark side--so by even choosing not to take an action one is still being ruled by their fears--ruled by the dark side, and there the slide into the darkness begins.
Thus, so long as Aeia was questioning--that, not if taking an action will lead her to the dark side, but rather if what she is doing is the morally right thing to do. She is not acting out of fear of damnation, she is not acting out of attrition. But rather she is acting out of contrition, a genuine sense and worry of committing a moral wrong, not from fear of the dark side and being damned for it, but for the simple fact it was the wrong thing to do. That was why Xica agreed with Aeia that asking herself such questions is good thing, for when she is placed in the unique and terrible circumstance of having to claim a life whether in self-defense or in the defense of another. Because the questions in of themselves are moral guides. The second she finds herself asking if she will fall to the dark side for taking such and such an action, in truth, she already knows the answer to the morality of the action itself.
((Continued in post below...))